Goodreads Interview with author C J Tudor
Goodreads have given me access to there interview with the author of The Chalk Man, C J Tudor after my review of her book. So here it is.
The Chalk Man is a creepy coming-of-age murder mystery that bounces between 2016 and 1986, when readers first meet 12-year-old Eddie and his friends. They invent a game: drawing chalk figures on the ground to pass secret messages. But the game turns sinister when the figures start to appear on their own and lead them to the body of a girl.
Thirty years later, Ed thinks the past is behind him. Then he receives a letter containing just two things—a drawing of a stick figure and a piece of chalk.
The Chalk Man is a debut thriller from English author C.J. Tudor. Although Tudor says she's always loved writing, she didn't "really knuckle down to it" until her mid-thirties. Tudor left school at age 16 and has worked a variety of gigs, including waitress, copywriter, and radio scriptwriter. She wrote this first novel while she was running a dog walking business. She chatted with Goodreads about the innocent spark for her creepy novel and the allure of childhood fears.
Goodreads: How did you come up with the plot of your debut novel?
C.J. Tudor: A friend gave my little girl a tub of colored chalks for her second birthday. We spent the afternoon drawing stick figures all over the driveway. Then we went inside and forgot about them.
Later that night, I opened the back door and was confronted by these weird chalk drawings everywhere. In the darkness, they looked incredibly sinister. I called out to my partner: "These chalk men look really creepy in the dark…"
GR: How do childhood fears play into your development of your debut?
CJT: I think we spend a lot of our time being scared as children. Our fears are both real and imagined, and sometimes the two collide. Yet, conversely, as children, we're also drawn to things that make us scared. We want to see a ghost or go into the woods and find something creepy.
Children live in a strange parallel world. One that adults can't enter. There is stuff going on when you're a child that you would never discuss with your parents or teachers. You can't tell them how one playground is off-bounds because the big, scary kids play there or how you won't walk a certain way home from school because the man at Number 43 freaks you out. Or why you don't like going to the garage to get the washing when it's dark (because a zombie might get you)!
In a way, I think our childhood fears never leave us. I used to live in a house with a cellar. The door was in the living room. There was no lock, and it used to gape open just a bit. I could never relax—I always imagined a hand creeping around the edge. In the end, I put a bookcase in front of it!!
GR: Let's talk twists! How did you pull off the twist in your novel?
CJT: Well, I do believe in the adage that you have to earn your ending. A twist is no good if it comes out of nowhere. It must be something that the reader could reasonably piece together themselves, or it's just a big, fat swizz!
So although I knew the ending I had in mind, it was important for me to leave bread crumbs throughout the book so the reader might have an idea of what happened, but, hopefully, not a full one. And if they did guess, they could feel pleased. Guessing a twist just before it's revealed is half the satisfaction. You know, that "Damn it, I was right all along" feeling!
GR: Tell us about your main character, Eddie. What were the challenges of writing him both as a child in 1986 and as an adult in 2016? And what drew you to Eddie?
CJT: Well, I wrote the 1986 and 2016 sections separately. I wrote all of 1986 first and then threaded in 2016. So I was fully immersed in young Eddie's voice, and I think that helped when I moved on to older Ed. I already knew exactly who he was and what had shaped him, so it all felt really organic.
I love Ed, although, in many ways, Ed is the opposite of a likable character. As a child, he's odd, a bit of a nerd. As an adult, he's awkward, unsociable, cynical. He doesn't make good decisions. He's not heroic or handsome or sexy.
But then in real life, people aren't. It's their flaws that make them interesting. If someone was amazingly nice, clever, and good-looking, they'd be unbearable, wouldn't they?!
And despite his flaws, Ed has an endearing dark sense of humor, and he does try to do the right thing, even if it doesn't always work out. I see a lot of myself in Ed, which is perhaps a tad worrying!
GR: Which writers are you influenced by, and how do those influences show themselves in The Chalk Man?
CJT: Well, obviously Stephen King is a huge influence. I make no secret of the fact! There are even a few cheeky nods to King books in The Chalk Man. But then, in a way, the book is an homage to all the stuff I loved as a kid in the '80s: King, Spielberg, The Goonies, etc.
Another favorite writer is Michael Marshall [Smith]. He has an amazing imagination, and I love his bleak humor. I'm also a big Harlan Coben fan. I've always been drawn to dark, creepy stories. But I never wanted to write typical procedural crime fiction. It doesn't interest me. Nor does domestic noir. I like to take a mystery and then twist it a little, take it down a different path. A more unusual one.
GR: What are you currently reading, and what books are you recommending to your friends?
CJT: I am about to start The Memory Chamber by Holly Cave. Books I have recently recommended to my friends are The Dry, Behind Her Eyes, The Innocent Wife, You Don't Know Me, and The Woman in the Window.
GR: What's next for you? Any preview you can give readers?
CJT: I've just finished book two, and I'm working on number three. Book two is also a very creepy thriller. It's set in an isolated former mining village in Nottinghamshire.
When Joe Thorne was 15, his little sister, Annie, disappeared. And then she came back. Twenty-five years later, in the same small community, a ten-year-old boy is bludgeoned to death by his own mother. Joe returns to work as a teacher at the failing school, but also to find answers. However, coming back to the place where he grew up means facing the people he grew up with, the things they did…and what they found!
I think it's darker and twistier than The Chalk Man. I have definitely upped the creepy. So be prepared!